Urlaub in Polen have also always been a band that defies categorization. All is probably their most formally coherent album so far, but it is nevertheless anything but a work of genre: What the songs on All have in common is an architecture evoking Krautrock, developing sprawling synthesizer and guitar workouts on the foundations of finely woven rhythm arrangements. The echoes of West Coast Pop (the harmonies and the bass!), of Rhineland Tech House and of early Dire Straits (the vocals and the guitar production!) make All a characteristically versatile and international affair. The album shares with their previous efforts the interest and attention for sonic textures and contrasts, but showcases more constraint and focus. In place of noise, details and the enormous joy of playing between Brenner and Janzen come to the fore, equally in the stoic Desert Kraut hits Impulse Response and THDT, the polyrhythmic Overall, or the discoid Proxy Music. All as a musical statement thus bears witness to the fact that Urlaub in Polens artistic vision is not centred by musical niche or content, but by formal considerations and the ever new presence of playing together: All, in this sense, stands for nothing more and nothing less than the latest expansion of their oeuvre.