From the At The Drive-in overture of Skeleton Dances and its blistering guitars and fistfuls of punchy vocal shrieks; to the binary bit-rate composition of The Love Code and Racer X; the post-punk feverishness of Loose Threads And Theramins akin to the likes of Q And Not U and Punish The Atom; or The Faint-esque Future Cities and its Casio renaissance, So So Modern have inherently approached their oeuvre with an expansive palette towards a blip-based sound.