On LIMYTE PYLAR collaborated with renowned musician and producer CG Santos (Teitanblood, etc.) who has created a piece of music, playing hurdy-gurdies and modular synths, with the aim of being inserted into LMYTE and outside element so that it can open PYLARs compositions on this album outwards, towards a hypercacophony. The tension created through the overlapping of these elements causes cracks in the music through which what-is-beyond can be glimpsed, while breaking with the linear narrative of traditional musical discourse. An expansion arises towards a collapse that does not imply the end but a rearrangement of the primary symbols used at an aesthetic level for a new beginning in an endless spiral. When you accelerate an artistic genre you get its cutting edge. PYLAR aims to take Metal to its limits and explore and ultimately break them in order to glimpse new heights to which to go from, always towards the last frontier. Dwell outside, in the always-beyond, in beauty irrational and unknowable limit. Metal as the ultimate tool to destroy and create in an endless cycle.