As an important agent of Gothenburgs underground scene, Dan Johansson has been a member of several experimental harsh noise projects such as Sewer Election, and lo-fi indie folk bands like Enhet For Fri Musik and Amateur Hour. Ordeal is his latest solo output, and might as well be ashes stuck in the blast furnace's edges of his last longing career. Not by means of summing up genres or as a culmination of his musical development, but as a profound music piece weaved in his own household. With not much more than a synthesizer, Vatterns Parla is built by trembling, dissonant drones stained in feedback and reverberation, thickly textured by the no-fi quality of the recording, depicting a menacing atmosphere congested with heavy fumes. In Johansson's words, Ordeal "takes inspiration from the early 80s albums of Maurizio Bianchi, filtered through a Gothenburgian no-fi bleakness. Its an album for inner voyage, childhood memories, and places that now lost purpose and meaning".