Labelled a world music artist, Muito Kaballa, in fact, exhibits the charismatic abandonment of a punk provocateur. Informed by such post-punk luminaries as Maximum Joy (an outfit that was formed from the ashes of 70s peace-disturbers The Pop Group and Glaxo Babies, and employed Afrobeat rhythms), Kaballa executes an honourable balance between focused discipline and wily experimentation. Like Maximum Joy, Kaballa offers grooves of an Afrobeat persuasion, refracted through the restless energy of punk; kindred spirits Ebo Taylor and Fela Kuti, legends of African highlife music, impress upon his work indelibly. Such musicianship has produced a pleasing cacophony in Everything is Broke, Kaballas debut album, which takes in his usual influences of street funk, jazz, Afrobeat and just the slightest etchings of hip-hop. Edging out even further in his experiments this time, the artist now explores the nervous, juddering energy of New Orleans inspired pop, running freely the course of the album with the sensual sounds of the citys Latin Quarter.