From a production point of view, John kept feeling drawn to sounds that evoked a certain childhood nostalgia in him such as the mellotron, unruly synths, reverb drenched vocals and era specific recordings of cello, drums and guitars. Abandoning the rather electronic feel of People Do (2013) and Nomad Frequencies (2015) for a more band oriented sound, John enlisted the help of some of his favourite musicians in the form of Pete Harvey (Modern Studies) on cello, Clive Deamer (Portishead, Radiohead, Robert Plant) on drums and harpist Urska Preis (rogue-ah) to realise his vision. As John says, The music somehow needed to run through the hands of others, which gave a sense of catharsis after such a drawn out, solitary process. It was exactly what was needed to bring the journey full circle.