"Orlando Furioso is a haunting, one-of-a-kind statement, from an important new voice in improvised music." - Steve Lehman ".imagining [instruments] that havent been invented yet: space harps, cosmic gamelan, Venusian banjo. Its the purest distillation of Atrias musical language, simultaneously grounded and unearthly." - Stewart Smith for The Wire (November 2022) "Making liberal use of microtonal harmony and hypnotic, ostinato rhythms - as well as the occasional stylistic smash-cut, reminiscent of John Zorn - Orlando Furioso announced itself on Wednesday as a punchy, creative force on the New York scene. (.) Atrias rhythms had a welcoming, social propulsion, and the microtonality of his writing for keyboard proposed an individual - even insular - language." - Seth Colter Walls for The New York Times.